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Die Himmel erzählen die Ehre Gottes, die Schöpfung, the creation, Haydn.

SDG

6:50	Est. Play Time
197	Measures
	4,797Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	25	5	8	7	91%
Bassi	25	5	7	7	91%
View all 33 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	25	5	8	7	91%
Bassi	25	5	7	7	91%
Violin I	29	6	7	5	87%
Violin I (rep)	29	6	7	5	87%
Violin II	25	13	8	6	85%
Viola	22	0	6	7	70%
Oboe II	18	0	4	6	70%
(Clarinet repeat Oboe I)	14	0	3	6	69%
Oboe I e Clarinetti	14	0	3	6	69%
Flauti	22	1	6	6	67%
Fagotti	26	3	8	7	64%
Basso	18	0	6	6	63%
Basso II	18	0	6	6	63%
Basso III	18	0	6	6	63%
Tenore	16	0	4	6	63%
Tenore II	16	0	4	6	63%
Tenore III	16	0	4	6	63%
Alto	15	0	5	6	59%
Alto II	15	0	5	6	59%
Alto III	15	0	5	6	59%
Soprano	10	0	1	6	59%
Soprano II	10	0	1	6	59%
Soprano III	10	0	1	6	59%
Contra Fagotti	20	0	5	7	59%
Trombone III	24	0	6	7	53%
Corni in C (French horns)	9	6	0	5	47%
Clarini in C (Trumpets)	10	7	0	5	44%
Timpano in C	2	0	0	3	35%
Trombone	10	0	2	4	30%
Trombone II	12	0	0	5	30%
Soprano Solo (Gabriel)	13	0	3	3	24%
Basso solo (Raphael)	9	0	2	4	23%
Tenore Solo (Uriel)	10	0	1	4	23%

Jauchzet, frohlocket, auf, preiset die Tage! (MuseScore version). Bach, Weihnachts Oratorium, opening choir, BWV 248

SDG

13:19	Est. Play Time
203	Measures
	4,967Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo	24	0	8	5	93%
Contrabass	24	0	8	5	93%
View all 20 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo	24	8	5	93%
Contrabass	24	8	5	93%
Fagotto	24	8	5	93%
Viola.	23	8	8	93%
Violino II.	24	8	8	93%
Violino I.	28	9	8	91%
Oboe II.	19	6	8	79%
Flauto traverso II.	22	7	8	79%
Flauto traverso I.	23	7	8	78%
Oboe I.	21	7	8	78%
Tenore.	18	6	7	71%
Alto.	17	6	7	70%
Basso.	18	6	7	70%
Soprano	19	6	8	67%
	19	6	8	67%
Soprano.	19	6	8	67%
Tromba I.	12	1	8	34%
Tromba II.	11	1	5	29%
Tromba III.	7	0	5	28%
Timpani.	2	0	5	27%

Jauchzet, frohlocket, auf, preiset die Tage!, BWV 248 # 1

SDG

13:19	Est. Play Time
203	Measures
	5,015Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo	24	0	8	5	93%
Contrabass	24	0	8	5	93%
View all 20 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo	24	8	5	93%
Contrabass	24	8	5	93%
Fagotto	24	8	5	93%
Viola.	23	8	8	93%
Violino II.	24	8	8	93%
Violino I.	28	9	8	91%
Oboe II.	19	6	8	79%
Flauto traverso II.	22	7	8	79%
Flauto traverso I.	23	7	8	78%
Oboe I.	21	7	8	78%
Tenore.	18	6	7	71%
Alto.	17	6	7	70%
Basso.	18	6	7	70%
Soprano	19	6	8	67%
	19	6	8	67%
Soprano.	19	6	8	67%
Tromba I.	12	1	8	34%
Tromba II.	11	1	5	29%
Tromba III.	7	0	5	28%
Timpani.	2	0	5	27%

De herdertjes lagen bij nachte, by Patrick Hopper (with approval)

SDG

2:59	Est. Play Time
68	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano of Orgel	25	58	7	5	98%
	38	38	10	6	92%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano of Orgel	25	58	7	5	98%
	38	38	10	6	92%
SOP ALT	20	0	6	4	99%
TEN BAS	22	0	4	4	80%

35. Christe, du Beistand deiner Kreuzgemeinde. BWV 275. Johann Sebastian Bach.

SDG

0:51	Est. Play Time
16	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	4	3	100%
Tenor/Bass	21	6	5	100%
Contrabass	11	3	3	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	4	3	100%
Tenor/Bass	21	6	5	100%
Contrabass	11	3	3	50%

3. Gefrorne Tränen. Winterreise Schubert (only piano; accompaniment)

SDG

2:14	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	46	7	3	97%
	28	12	11	4	100%
Voice, Vocal	17	0	5	5	73%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	46	7	3	97%
	28	12	11	4	100%
Voice, Vocal	17	0	5	5	73%

'k Aanbid de macht van uwe liefde, Dmitri Bortnjanski. Russian Orthodox style setting, by Gertim (SDG).

SDG

1:31	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S/A	11	0	0	5	100%
T/B	21	16	2	5	100%
Tenor	9	0	0	4	100%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S/A	11	0	0	5	100%
T/B	21	16	2	5	100%
Tenor	9	0	0	4	100%

65. Die Sonn' hat sich mit ihrem Glanz. BWV 297.

SDG

0:35	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	5	5	100%
Tenor/Bass		22	0	6	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	5	5	100%
Tenor/Bass		22	0	6	5	100%

Domine Deus, Hohe Messe Bach, BWV 232.

SDG

5:25	Est. Play Time
95	Measures
	1,868Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	26	0	10	4	100%
Contrabass	26	0	10	4	100%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	26	10	4	100%
Contrabass	26	10	4	100%
Flauto Traverso	26	8	5	89%
Violino I	28	9	7	68%
Tenore	18	5	7	64%
Soprano	18	7	7	63%
Violino II	24	8	5	62%
Viola	22	7	6	61%

50. Christus, der uns selig macht. BWV 245.37. Joh. Passion. J.S. Bach.

SDG

0:49	Est. Play Time
17	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	5	4	100%
Tenor/Bass	21	9	4	100%
Contrabass	17	7	4	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	5	4	100%
Tenor/Bass	21	9	4	100%
Contrabass	17	7	4	50%

285. O Lamm Gottes, unschuldig. BWV 401. Johann Sebastian Bach.

SDG

0:51	Est. Play Time
13	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	13	3	6	100%
Tenor/Bass	21	5	5	100%
Contrabass	13	3	4	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	13	3	6	100%
Tenor/Bass	21	5	5	100%
Contrabass	13	3	4	50%

21. Als Jesus Christus in der Nacht, BWV 265. Johann Sebastian Bach.

SDG

0:25	Est. Play Time
9	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	3	3	100%
Tenor/Bass	22	5	5	100%
Contrabass	16	2	3	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	3	3	100%
Tenor/Bass	22	5	5	100%
Contrabass	16	2	3	50%

41. Christ lag in Todesbanden. BWV 4.8.

SDG

1:01	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	0	4	4	100%
Tenor/Bass	22	0	6	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	4	4	100%
Tenor/Bass	22	6	5	100%
Contrabass	15	5	5	50%
Soprano	2	0	1	11%

Lobet Gott in seinen Reichen, BWV 11, No. 1, opening chorus Himmelfahrts-Oratorium, J.S. Bach

SDG

10:17	Est. Play Time
217	Measures
	4,955Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	26	0	9	5	100%
Continuo II	26	0	9	5	100%
View all 23 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	26	9	5	100%
Continuo II	26	9	5	100%
Double Bass	32	9	5	100%
Violino I	27	9	7	97%
Viola	24	8	5	95%
Violino II	22	8	5	95%
Flauto traverso I	23	8	6	92%
Flauto traverso II	23	8	6	92%
Oboe I	22	7	7	90%
Oboe II	21	8	5	88%
Soprano	18	6	7	53%
	18	6	7	53%
	18	6	7	53%
Alto	16	5	7	52%
	16	5	7	52%
	16	5	7	52%
Tenore	19	6	5	51%
Bass	20	6	5	50%
Basso	20	6	5	50%
Tromba I	11	1	7	48%
Tromba II	12	1	5	39%
Tromba III	7	0	4	29%
Timpani	2	0	4	26%

J.S. Bach, cantata opening chorus: "Wo soll ich fliehen hin?" (BWV 5, #1) Auf meinen lieben Gott..

SDG

3:53	Est. Play Time
78	Measures
	3,570Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpischord. Thanks to Michel Rondeau! He made the realization and put it on IMSLP under Creative Common license.	22	25	7	6	99%
	25	0	9	3	100%
View all 23 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpischord. Thanks to Michel Rondeau! He made the realization and put it on IMSLP under Creative Common license.	22	25	7	6	99%
	25	0	9	3	100%
Continuo	25	0	9	3	100%
Contrabass	25	0	9	3	100%
Contrabassoon	25	0	9	3	100%
Oboe I.	24	0	8	5	100%
Oboe II.	22	0	8	4	100%
Violino I	25	0	8	5	100%
Violino II.	21	0	7	5	100%
Viola	18	0	5	4	97%
Alto	13	0	4	6	42%
	13	0	4	6	42%
	13	0	4	6	42%
Tenor	13	0	4	5	40%
	13	0	4	5	40%
Tenore	13	0	4	5	40%
Soprano	6	0	0	2	37%
	6	0	0	2	37%
	6	0	0	2	37%
Bass	20	0	6	4	37%
	20	0	6	4	37%
Basso	20	0	6	4	37%
Tromba da tirarsi col soprano	6	0	0	2	37%